
With this section pinned to exact size and blocking, I'll next be duplicate stitching the contrasting lines and then joining those two small sections still on stitch holders to start knitting the heel.
A fiber-crafts fanatic who lives to create. I'm also "Wovenflame" on Ravelry, Flickr, ETSY, DoA and yahoogroups.

See the purple cord in the photos? That's the cord of my circular needle. I've run the needle through the stitches of a single row (at least I hope it's all in the same row), below the mistake I found.
I'm hoping that when I rip back the cable will catch the stitches and also help each section end on the same row. Trouble with ripping without a safety line in place cost me the entire argyle section the last time.
The only progress I can report this week is reaching the half way point in the second row of diamonds. This is the dividing point where I put the side/heel stitches on holders and continue on, in pattern, down the arch of the foot. (Please ignore the messy bits at the joining points of the two tiers of diamonds. That will be cleaned up as I darn in the ends. No, really......I already checked that it works.)
I worked up a bit of an argyle swatch this week in preparation for knitting the argyle sock for Level II. I think it turned out very well, although I see some areas I will need to work on.
That is a whole lot of ribbing! 14 inches of it with short row turns at the ends of each row.
I'm finished the actual collar section so the short rows are behind me. Six more full length rows remain, each of these going from the bottom of one front edge all the way around the collar and back down to the bottom of the other side. Long, long rows with five buttonholes that need to be evenly spaced. I'm still working out what the exact spacing needs to be.
The remainder of this week was caught up in a whirlwind of activity. Besides babysitting our granddaughter, shopping for a new fridge, and doing some sewing for a gift that needed to be mailed, I spent the better part of weekend with the Chilliwack Spinners and Weavers Guild at Minter Gardens. The first day I spent combing wool. Although I would have liked to continue with that on the second day, it's tiring work and my shoulder had had enough. I switched to spinning for the second day.

It was a lovely weekend. I was very glad to hear that the guild has been invited back to demo again next year.

Yesterday it suddenly dawned on me that I really didn't need to obsess over the front neckline as much as I at first thought. The whole neckline will be covered by a shawl collar! Duh! The decreases still have to be neat and correctly formed so that they pass the committee's inspection, but they don't have to follow the stitch pattern as closely as I was thinking. Next up: right front.
This is Swatch 21 - picking up stitches. For this swatch the knitter has to figure out how many stitches to pick up and how to place them most effectively along selvedge and bind off edges. The swatch also tests your ability to select and position appropriate decreases for the neckline.
.....yes, still must knit the final swatch. This is cable 16.5 in the "Harmony Guide to Aran Knitting".
This is Swatch 15 - cable of choice.
The basic stitch pattern is #4.9 from "The Harmony Guide to Aran Knitting".
The actual knitting and pattern writing was all completed on schedule, as planned, I only fell behind in the photography and blogging department. I'm blaming the demands of the long, Easter weekend. I mean if you could spend time with this little muffin rather than sit at the computer blogging about knitting a swatch, wouldn't you?
Kaylen has a little slide show of her first Easter egg painting experience up on her blog if you are interested.
And yes, I did work on my Masters Knitting this week. I worked and worked actually, but this one swatch (and its pattern) is all I have to show for it right now.
This is Level II, Swatch 14, Cable of Your Choice, but with a twist to the assignment that wasn't there for Level I. In this level the knitter has to choose three stitch patterns, do the math, and write out the patterns for each of the swatches themselves. This results in the absurd situation of swatching for the swatches. An initial swatch must be made to determine gauge so that you can not only make the final swatches within the size limits, but also correct for "cable flare" - where the edging bulges and gathers because the seed stitch and the cables are of different gauges.
I actually have more done than shows here as I did my initial "swatching for the swatches" with all three cables on the one practice swatch. I have also begun the rough drafts of the patterns for the other two swatches. I learned with the first one that it works best to write the pattern and then knit from it, rather than the source the stitch pattern was found in. I found and corrected several omissions and mistakes as I attempted to knit from my own pattern. Hopefully now I won't have my patterns thrust back at me with "errata" to be corrected.

Swatch 12 - (lace of choice) Spider Stitch
Both of these swatches are from stitch patterns I found in the Barbara Walker Treasuries. I knit them in a coned, superwash wool, fingering weight yarn usually used for machine knitting. I had thought about using another shockingly bright yarn, like last week, but the orange I was thinking of may have been too dark and possibly even a bit too fuzzy to meet the acceptable standards.
So next week's Master Monday report had better be that I have done the write ups for these last three swatches. I will be knitting this week though. I have two non-Masters knitting projects I'm actively working on.
And I'll be weaving. The loom is warped for the next project.
Swatch 11 - (lace of choice) Floral MeshFor this swatch, and two more lace ones, the requirement is to knit a lace swatch, bordered by seed stitch, and containing at least two multiples and three repeats. And the big challenge....it has to be no bigger than 7 inches! After much experimenting I found that for me that means no more than 8 stitches in each multiple, and no more than 12 rows in each repeat....otherwise it ends up being over sized and would be rejected.
After getting the knitting done then you have to write up a pattern for it including the seed stitch border. All information like needle size, gauge, materials, references/sources, abbreviations, must be included. I've gotten bogged down there a bit. I have a rough draft of the necessary information, but I have to fine tune it. So just the knitting of Swatch 11 this week. I can't say it's finished until all the paperwork is done.
Swatch 8 - Twisted Decreases (Blended)
Swatches 8 and 9 feature twisted decreases which are meant to be a little more visible and decorative than the usual decreases. I honestly don't think I would use them anywhere. I prefer decreases to be as inconspicuous as possible.
Swatch 9 - Twisted Decreases (Full Fashioned)
Swatch 10 - Central Double Decrease
The central double decrease is most commonly used at the centre of a V-neckline, or in lace patterns.
And Swatch 7, a horizontal to horizontal seam where "stair step" shaping is involved, like sometimes requested for a shoulder seam. Personally I like short row shaping and a 3 needle bind off better.
And the biggest accomplishment for the week......the forever single mitten. This little mitten was way too much trouble to ever deserve a mate.

So.....I've found another UNsuccessful way to seam ribbing. *sigh* I suppose that could still be considered progress though.